Welcome
Thank you for stopping by! PinkyGonzales.com is the central hub of brand developer, Belmont University Adjunct Professor and public speaker Pinky Gonzales. I have launched this site as a way to connect with clients and friends alike and to illustrate the many projects I have the great privilege of being involved with. In addition to...
Speaking
One of the great joys of my life is engaging an audience and leaving them with an actionable list of ways they can improve their businesses. My mission is to combine the willingness to succeed with proven strategies for doing so, wrapped up in entertaining and enlightening presentations. I have had the opportunity to speak to groups...
Teaching
As a young person, I struggled mightily with academics, attending eleven schools between junior high and high school. I never went to college. Today, my course in brand development and digital strategy at Belmont University is among the most-recommended of the Entertainment Industry Studies undergraduate major. My secret is taking...
Consulting
“The main thing is to keep the main thing the main thing.” Those famous words from Stephen R. Covey seem so simple, and yet, there is often a chasm between knowing what it is we want to accomplish and having the best course of action to get there. When engaging in a new project, I take a five-part approach to creating a...
Independent Radio Promotion: Investing in the Music Business Part VI
Larry Pareigis doesn’t just talk about a new music business model, he lives it. Having spent years of his career at radio stations across the country, he transitioned into the major label world, where he launched a few folks you may have heard of, like the Dixie Chicks, Miranda Lambert, Montgomery Gentry and some redneck named Gretchen Wilson, before taking the leap into the exciting world of entrepreneurship and independent business ownership. This interview covers a lot of ground and should be a reality check for anyone that thinks major labels have a monopoly on hit songs… although it comes with a price.
Quick disclaimer – I forced Larry to do this interview through Skype so we would have video as well as audio. The audio sucks when I’m talking, as you’ll hear. Accordingly, I tried to keep that to a minimum. Click here for the complete interview transcription.
MySpace Music Shutting Down
How’s that grab ya? The announcement hasn’t been made but rumors are swirling that free streaming of music may soon be a thing of the past for MySpace, which would most certainly be the death nell for the website that defined the term “social network” for most people in America. While logic may therefore dictate that the service should stay, the fact is, they’re bleeding like a stuck pig and that can’t go on forever, come hell or high-water.
In this interview with Billboard from June 7th, I stated that the music industry hates itself. And it does. There are warring factions that each represent different groups of rights-holders that defend their turf to the detriment of the entire ecosystem. Publishers, the radio stations, labels and the artists themselves each have their own personal interests at heart when they fight for a bigger piece of the pie, but the result is that legitimate music startups simply cannot afford to pay the fees, and therefore go out of business (or don’t start at all). Why do you think facebook has abstained from offering a free music service for years while MySpace took in so much traffic for that very service alone? And that’s to say nothing of Imeem, Lala, SpiralFrog, and most notably, Yahoo! Music, all of which fell on their own swords and either shut down completely or sold at firesale prices to others.
The move to shut down MySpace Music may come as a result of their advertising contract with Google expiring next month. That relationship brought in $300,000,000 a year for the company, which allowed them to spend in-excess of $10,000,000 per MONTH on streaming services. (Look at all them zeros!)
My prediction is that the shutdown will happen in two painful phases. First, MySpace visitors will be required to log-in to the site in order to hear streaming music. This will reactivate a vast number of otherwise dormant accounts, but it will also eliminate all passive traffic, which they desperately need right now in order to continue selling ads at a sustainable rate. The drop in revenue will ultimately result in the fall of MySpace itself. It will be sold and resold until it is no longer. Remember Napster? It’s nothing but a brand name that changes hands from one music service to another these days; no longer even a shell of its legendary self.
So enjoy it while it lasts, folks. MySpace Music is shutting down. When? Dunno yet, but watch the writing on the wall this summer as they renegotiate their network-wide advertising agreements and continue to make cuts in staff and services in a vain attempt to survive. They lost the war and facebook didn’t even have to compete with them on their most important service to do it.
Related Posts: New MySpace Slogan: Discover and Be Discovered, Goodbye Tom. We Hardly Knew Ye.
My 15 Minutes of Fame
Today begins a new chapter in PinkyGonzales.com blog history. I am going to start posting audio and video segments to coincide with the written format. (Revolutionary, I know.) Most of these will be interviews with people I love and respect, including artists, executives and entrepreneurs that split-the-gap between business and entertainment, starting with this interview of… me. (Whom I love and only somewhat respect.)
Billboard.biz filmed this segment after the Country Music Summit that took place in Nashville last month. They asked me a few questions about current and future technology trends in the entertainment industry so I thought it was an appropriate setup to this series. It’s also just kind of neat to be formally interviewed by Billboard, as they have been THE go-to resource for Industry professionals longer than I have been alive. With that said, here are my current thoughts on the pros and cons of offering free content, the present and future of mobile entertainment platforms, 5 tools every artist should use and a preview of the new location-based service I will be announcing publicly within a matter of days. You heard it here first.
Without further ado:
And for the record, I did not mean to imply that Kenny Chesney spent $100k on his brilliant mobile app, though I know others that have.
For those that may be following the series on Investing in the Music Business, stay tuned. I’ll be back with more in the morning.






